Prisoners are America's Strongest Union [Gawker]
And, the original story from the NYT:
http://www.nytimes.com/2010/12/13/us/13prison.html?_r=1&ref=us
"Inmates in at least seven Georgia prisons have used contraband cellphones to coordinate a nonviolent strike this weekend, saying they want better living conditions and to be paid for work they do in the prisons."
Is it wrong to find this sort of inspirational?
Monday, December 13, 2010
Sunday, December 12, 2010
Women @ Work
More amazing color photos from the Library of Congress. From the Farm Security Administration/Office of War Information collection, photographs of women at work in war industries during WWII.
First of all, Mrs. Eloise Ellis here is awesome.
Second, these photos are fascinating from both an aesthetic, historical, and sociological point of view. There's a strong sense of novelty here in the way that photographers depicted female factory workers. An admiring but distinctly ironic tone pervades the captions. The significant historical moment and the still-powerful visual novelty of seeing women in an industrial environment remains appealing; I, for one, am blown away by the above photo. But the collection is (fascinatingly) problematic. These are women, the viewer is constantly reminded, and their role as heavy industrial workers is a temporary, novel, even unnatural -- albeit patriotic -- state of affairs.
It's also about sex. These photos represent real-life "Rosie the Riveters." This vision of "Rosie the Riveter" on the left below (I know this isn't technically her) has become more iconic than Norman Rockwell's original "Rosie" character on the right. Both depict women transgressing gender norms -- work shirts, muscles, self-assured gazes -- but Rosie on the left retains the trappings of femininity. To rephrase it, she's the (conventionally) hot one. Shiny hair, shiny nails, shiny lips, strong without looking like Popeye. Left-side Rosie's power comes as much from her "traditionally" feminine, sexy physical presense as from her flexed muscle and determined look; Right-side's comes from her rivet gun, massive forearms, and meaty sandwich. Both play on a sense of novelty, even irony, but Rockwell's portrait remains more comfortable with the tough, transgressive realities of women in wartime production.
First of all, Mrs. Eloise Ellis here is awesome.
 |
Mrs. Eloise J. Ellis has been appointed by civil service to be senior supervisor in the Assembly and Repairs Department at the Naval Air Base, Corpus Christi, Texas. She buoys up feminine morale in her department by arranging suitable living conditions for out-of-state employees and by helping them with their personal problems. Library of Congress. |
It's also about sex. These photos represent real-life "Rosie the Riveters." This vision of "Rosie the Riveter" on the left below (I know this isn't technically her) has become more iconic than Norman Rockwell's original "Rosie" character on the right. Both depict women transgressing gender norms -- work shirts, muscles, self-assured gazes -- but Rosie on the left retains the trappings of femininity. To rephrase it, she's the (conventionally) hot one. Shiny hair, shiny nails, shiny lips, strong without looking like Popeye. Left-side Rosie's power comes as much from her "traditionally" feminine, sexy physical presense as from her flexed muscle and determined look; Right-side's comes from her rivet gun, massive forearms, and meaty sandwich. Both play on a sense of novelty, even irony, but Rockwell's portrait remains more comfortable with the tough, transgressive realities of women in wartime production.
Here's a selection of some more photos in the collection that represent an amazing spectrum of visions, constructions, and realities of femininity. How do their subjects' appearance and interaction with their environments affect your perceptions?
 |
| [WHOA] |
Lastly, the caption on this next one captures the enduring sense of novelty surrounding women factory workers in heavy industry: Girl inspector confers with a worker as she makes a a careful check of center wings for C-47 transport planes, Douglas Aircraft Company, Long Beach, Calif.
Plus, check out that body language.
Friday, December 3, 2010
Views of Lawrence
Spent an awesome afternoon in Lawrence, Mass. yesterday. Lawrence is one of the most dramatic post-industrial landscapes I have ever seen, and home to the amazing Lawrence History Center. 100 years ago, Lawrence was the wool textile capital of the world and home to thousands of immigrant families trying to grab an incredibly elusive, often cruel piece of the (not-yet-coined) "American Dream" in the city's cavernous mills.
The mills -- which formed the basis for the city's entire economy -- began shutting down mid-century. Families continued coming from all around the world, particularly from Latin America in the past half-century, putting down new roots and making a life in this old city.
Today, Lawrence is still struggling tremendously with the economically devastating loss of its manufacturing sector. At the same time, there is incredible resiliance, community energy, and life among the often empty (and insanely dramatic) old brick factories. Every time I visit, I'm totally inspired by the History Center. Archive, community center, museum, gathering place, anchor -- this is one tiny non-profit with a big and growing reach in Lawrence. In a city that has seen more than its share of community division and economic dislocation, the Lawrence History Center uses history as a tool to connect people across languages, cultures, and experiences. I urge you to check them out.
Now, some pictures of old industrial stuff:
The mills -- which formed the basis for the city's entire economy -- began shutting down mid-century. Families continued coming from all around the world, particularly from Latin America in the past half-century, putting down new roots and making a life in this old city.
Today, Lawrence is still struggling tremendously with the economically devastating loss of its manufacturing sector. At the same time, there is incredible resiliance, community energy, and life among the often empty (and insanely dramatic) old brick factories. Every time I visit, I'm totally inspired by the History Center. Archive, community center, museum, gathering place, anchor -- this is one tiny non-profit with a big and growing reach in Lawrence. In a city that has seen more than its share of community division and economic dislocation, the Lawrence History Center uses history as a tool to connect people across languages, cultures, and experiences. I urge you to check them out.
Now, some pictures of old industrial stuff:
Friday Fun
Even I can't really connect this one to industrial history...But I like it!
http://www.aronsommer.ch/
http://www.aronsommer.ch/
Tuesday, November 30, 2010
Why I love the LOC
From the always-incredible Library of Congress... The Prokudin-Gorskii Collection.
This photo was taken in 1909:
This photo was taken in 1909:
The Sergei Mikhailovich Prokudin-Gorskii Collection features color photographic surveys of the vast Russian Empire made between ca. 1905 and 1915.
Industriemuseum!
Really interesting post a couple days ago on The Uncataloged Museum about industrial heritage development in Europe: From Cotton to Culture: Changing the Face and Future of European Cities.
In said post I learned there's this amazing thing called the European Route of Industrial Heritage, a partnership among EU member states, industrial heritage museums, and academic institutions. The idea is to promote tourism that links diverse industrial sites by theme or region. Do the mining tour of Europe! Backpacks, anyone?
Seriously, I think this is a pretty exciting way to push industrial history toward greater relevance for visitors -- the ERIH situates what can often feel like very local history in an interconnected network of regional and international sites. If visitors (most of whom are probably nerds, obviously unlike myself...) are accessing these resources, there's potential here for engaging people with the interrelated historical experiences of work, and a deeper understanding of how the industrial past shapes the present.
Also, check out the photo gallery. These museums look like they run the gamut from traditional interpretive displays to huge, raw, tour-able factory sites.
In said post I learned there's this amazing thing called the European Route of Industrial Heritage, a partnership among EU member states, industrial heritage museums, and academic institutions. The idea is to promote tourism that links diverse industrial sites by theme or region. Do the mining tour of Europe! Backpacks, anyone?
Seriously, I think this is a pretty exciting way to push industrial history toward greater relevance for visitors -- the ERIH situates what can often feel like very local history in an interconnected network of regional and international sites. If visitors (most of whom are probably nerds, obviously unlike myself...) are accessing these resources, there's potential here for engaging people with the interrelated historical experiences of work, and a deeper understanding of how the industrial past shapes the present.
Also, check out the photo gallery. These museums look like they run the gamut from traditional interpretive displays to huge, raw, tour-able factory sites.
 | ||
| Kinder im Museum. Also ein interessanter Museumsbesuch für "groß und klein"und nicht nur für Fachleute! Industriemuseum Brandenburg an der Havel. The museum looks like it's basically a huge, partially operable steel mill. I love that these kids get to just hang out with rusty gears and apparently still-fiery blast furnaces. Hardhats!
|
Monday, November 29, 2010
Movie @ Work
Labor! Capital! Dynamic typography [for 1927]! Diabolical machinery! Revolution! Robots!
...and a [redacted!] incredible score.
If you haven't seen the new(ish), complete(ish) restoration of Metropolis, it's time. It's streaming on Netflix right now, so you have no excuse.
A-mazing.
Subscribe to:
Posts (Atom)