The Workers: MASS MoCA, I love you.

Dear MASS MoCA,

I have been trying to write this blog entry for two months, struggling to find the right words to say it. It's simple, really: I love you. We are like, totally soul mates. It's ok, I know you have lots of other visitor-soulmates; in fact, I think an open relationship is the best kind of relationship a museum and its visitors can have.

I've known it for a long time. But just when I thought you were practically perfect, this BLOWS MY MIND. And my little heart. A new exhibition: The Workers, May 29, 2011-March 25, 2012.

Ok, from MASS MoCA:

We all know what Rosie the Riveter looked like, and what she stood for. [Oh boy, do we!]

Ford-era production line labor -- and the rise of powerful unions -- left us indelible portraits of work in mid 20th century America. [Don't make me swoon!]...

But what does work look like today in a global economy marked by outsourcing, rapid migration, disruptive economies, and a state of labor that seems fractured, precarious, and almost invisible? With video, sculpture, photography, and performance art from 25 artists, this exhibition examines the way labor is represented today (and how some contemporary workers choose to represent themselves. [Emphasis mine.]

The timing, and the place, could not be more fitting: Once the site of a bustling factory itself -- whose closure in the face of intense international competition left nearly a third of it's community out of work -- MASS MoCA is perhaps uniquely positioned to present this timely show... [Yes! YES!]

And as if all that wasn't enough:

In conjunction with The Workers MASS MoCA curator Susan Cross has invited Bureau for Open Culture -- a nomadic contemporary arts program directed by curator and art historian James Voorhies -- to inhabit one of the museum's buildings for the first four months of the exhibition. Set within a previously unused industrial building on the grounds of MASS MoCA, Bureau for Open Culture presents I Am Searching for Field Character, an exhibition series of public conversations, performances, installations, and workshops with a slew of visiting artists, writers, designers, and thinkers, a well as a beer garden which operates every Thursday and Friday night between May 26 and September 30.

Let me get this straight: CONTEMPORARY ART AND LABOR, HISTORIC INDUSTRIAL SPACES, NOMADIC ARTS PROGRAMS, SUPER-RELEVANCE, AND A...BEER GARDEN??? And then there's the BOC project publication: Bureau for Open Culture: On Symptoms of Cultural Industry. [Preview: WHY is it we are so moved by decaying environments? What propels the creative and cultural, the spontaneous and unpredictable in response to the dilapidation, vacancy, poverty and hardship of crumbling capital? Oh. My.]

I could not possibly make up anything dreamier. Ok, so I'll try not to get too excited before I've experienced it all.

No, I think I'll just got with it.

WHEEEEEEEEEEEEEEEEEEEEEEEEEEE!

What do you do with a canal to the moon?

This is a delightful song from episode 400 of This American Life. It's all about the Erie Canal and the trials and tribulations of dealing with semi-obselete historical-industrial infrastructure:

http://podcast.thisamericanlife.org/special/400_Bonus_Nancy_song.mp3

Rad!

Welcome to Pine Point

Welcome to Pine Point

Go have a look at this incredible online interactive multimedia mind blowing documentary about the town of Pine Point way up in Canada's Northwest Territories. The mine built it, a community grew, the mine closed, the town was completely razed.

This site is a testament to people and memory and postindustrial spaces totally unlike anything else.

See also:
Museum 2.0: Welcome to Pine Point: A Multimedia Exploration of Nostalgia, History, and What it Means to be Human. Great anaylsis by Nina Simon at Museum 2.0 linking the techniques used and connections made here to the museum experience.

UPDATE: OK, so http://www.nfb.ca/ is my new favorite website. Enjoy documentaries, animations, alternative dramas and interactive productions on the web, on your personalized home page, or on your iPhone. Free for personal use and on a subscription basis for schools and institutions. Where have you been all my life, National Film Board of Canada??? Canadians are so nice!

NPR: Coal Reignites A Mighty Battle Of Labor History

From All Things Considered: Coal Reignites A Mighty Battle Of Labor History

Great story about the 1921 "battle of Blair Mountain," in West Virginia, and current controversy over adding it to the National Register of Historic Places. Preserve the space of a landmark event in US labor and mining history, or open the site to mountaintop removal mining? This story is an unusually direct glimpse into the tensions that often arise between preservation, economic realities, and memory in dealing with local labor heritage and industrial history.

A sign commemorating the battle of Blair Mountain in Logan County, W.Va. NPR.

Key points:

King believes this is hallowed ground, like Gettysburg or the Edmund Pettus Bridge in Selma, Ala., places where America's history was forever changed. But he's had a hard time making that case to the folks in Logan County — a place where every fourth person is out of work.

There are only about 16,000 miners in West Virginia today. Mountaintop removal doesn't require as much manpower as underground mining. These are coveted jobs; they pay well. So for the most part, miners are more interested in seeing the economy grow than preserving what they see as just another mountain.

"This is a political fight, this is a social fight, this is a fight about our history, our heritage, our culture," Simmons says. "It's a fight about what kind of society West Virginia is going to be going forward and what has been in its past."

Sounds to me like labor heritage interpretation at its best, and most relevant.

UPDATE (ish): The plot thickens?  http://www.sierraclub.org/environmentallaw/lawsuits/0312.aspx

Views of Lawrence

Spent an awesome afternoon in Lawrence, Mass. yesterday. Lawrence is one of the most dramatic post-industrial landscapes I have ever seen, and home to the amazing Lawrence History Center. 100 years ago, Lawrence was the wool textile capital of the world and home to thousands of immigrant families trying to grab an incredibly elusive, often cruel piece of the (not-yet-coined) "American Dream" in the city's cavernous mills.

The mills -- which formed the basis for the city's entire economy -- began shutting down mid-century. Families continued coming from all around the world, particularly from Latin America in the past half-century, putting down new roots and making a life in this old city.

Today, Lawrence is still struggling tremendously with the economically devastating loss of its manufacturing sector. At the same time, there is incredible resiliance, community energy, and life among the often empty (and insanely dramatic) old brick factories. Every time I visit, I'm totally inspired by the History Center. Archive, community center, museum, gathering place, anchor -- this is one tiny non-profit with a big and growing reach in Lawrence. In a city that has seen more than its share of community division and economic dislocation, the Lawrence History Center uses history as a tool to connect people across languages, cultures, and experiences. I urge you to check them out.

Now, some pictures of old industrial stuff: